{"id":948790,"date":"2026-09-02T11:14:44","date_gmt":"2026-09-02T09:14:44","guid":{"rendered":"https:\/\/www.albinfo.ch\/guret-e-adriatikut-behen-art-luan-bajraktari-me-ekspoziten-beneath-the-tongue-a-pebble-ne-kroaci\/"},"modified":"2026-09-02T21:12:17","modified_gmt":"2026-09-02T19:12:17","slug":"guret-e-adriatikut-behen-art-luan-bajraktari-me-ekspoziten-beneath-the-tongue-a-pebble-ne-kroaci","status":"publish","type":"post","link":"https:\/\/www.albinfo.de\/fr\/guret-e-adriatikut-behen-art-luan-bajraktari-me-ekspoziten-beneath-the-tongue-a-pebble-ne-kroaci\/","title":{"rendered":"Les pierres de l&#8217;Adriatique deviennent de l&#8217;art: Luan Bajraktari pr\u00e9sente l&#8217;exposition &#8220;Beneath the Tongue, a Pebble&#8221; en Croatie"},"content":{"rendered":"<p>L&#8217;artiste Luan Bajraktari pr\u00e9sente en Croatie l&#8217;exposition &#8220;Beneath the Tongue, a Pebble&#8221;, inaugur\u00e9e \u00e0 la Galerija-Galleria Rigo \u00e0 Novigrad et ouverte jusqu&#8217;au 3 septembre 2026, \u00e9crit albinfo.ch.<\/p>\n<p>L&#8217;exposition repose sur une s\u00e9rie d&#8217;\u0153uvres r\u00e9alis\u00e9es \u00e0 partir de pierres recueillies le long de la c\u00f4te adriatique. Pour Bajraktari, ces pierres ne sont pas de simples mat\u00e9riaux naturels, mais des porteuses de souvenirs et d&#8217;exp\u00e9riences personnelles.<\/p>\n<p><a href=\"https:\/\/www.albinfo.ch\/wp-content\/uploads\/2026\/09\/img_2716.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-948587\" src=\"https:\/\/www.albinfo.ch\/wp-content\/uploads\/2026\/09\/img_2716-300x200.jpeg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-300x200.jpeg 300w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-1024x682.jpeg 1024w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-768x512.jpeg 768w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-1536x1023.jpeg 1536w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-586x389.jpeg 586w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-210x141.jpeg 210w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-587x391.jpeg 587w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-150x100.jpeg 150w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716-263x175.jpeg 263w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2716.jpeg 1600w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"isSelectedEnd\">L&#8217;une des installations centrales est compos\u00e9e d&#8217;une surface recouverte de pierres, sur laquelle les visiteurs peuvent marcher. De cette mani\u00e8re, l&#8217;exp\u00e9rience de l&#8217;\u0153uvre ne reste pas seulement visuelle, mais devient \u00e9galement physique, \u00e0 travers les pas, le poids du corps et le contact avec le mat\u00e9riau.<\/p>\n<p>Dans certaines \u0153uvres, les pierres ont \u00e9t\u00e9 reproduites en bronze. Le passage de la pierre ordinaire \u00e0 un m\u00e9tal durable cr\u00e9e un lien entre la m\u00e9moire, le temps et le d\u00e9sir de pr\u00e9server des fragments du pass\u00e9.<\/p>\n<p><a href=\"https:\/\/www.albinfo.ch\/wp-content\/uploads\/2026\/09\/img_2715-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-948590\" src=\"https:\/\/www.albinfo.ch\/wp-content\/uploads\/2026\/09\/img_2715-212x300.jpeg\" alt=\"\" width=\"500\" height=\"709\" srcset=\"https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-212x300.jpeg 212w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-722x1024.jpeg 722w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-768x1089.jpeg 768w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-1084x1536.jpeg 1084w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-1445x2048.jpeg 1445w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-169x240.jpeg 169w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-279x396.jpeg 279w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-71x100.jpeg 71w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-123x175.jpeg 123w, https:\/\/www.albinfo.de\/wp-content\/uploads\/2026\/09\/img_2715-scaled.jpeg 1806w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Bajraktari, n\u00e9 en 1979, vit et travaille entre Vienne et Prishtina. Il a \u00e9tudi\u00e9 la sculpture \u00e0 l&#8217;Acad\u00e9mie des beaux-arts de Prishtina ainsi qu&#8217;\u00e0 l&#8217;Acad\u00e9mie des beaux-arts de P\u00e9rouse, en Italie. Dans sa pratique artistique, il travaille avec la sculpture, l&#8217;installation et le dessin, en explorant la m\u00e9moire, l&#8217;utilisation des objets et la mani\u00e8re dont ceux-ci acqui\u00e8rent de nouvelles significations.<\/p>\n<p>\u00c0 travers &#8220;Beneath the Tongue, a Pebble&#8221;, l&#8217;artiste r\u00e9introduit dans l&#8217;espace artistique les simples pierres du littoral, en les transformant en objets qui \u00e9voquent l&#8217;enfance, la m\u00e9moire et l&#8217;identit\u00e9.\/Albinfo.ch<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Beneath the Tongue, a Pebble&#8221;: Luan Bajraktari pr\u00e9sente en Croatie une exposition sur la m\u00e9moire, l&#8217;identit\u00e9 et l&#8217;enfance<\/p>\n","protected":false},"author":31,"featured_media":948594,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34913,24637,1164,24668,24630,24633,1163,1168],"tags":[],"vendi":[],"content_country":[31835,31838,31840],"class_list":["post-948790","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-la-vie-en-autriche","category-nouvelles-fr-4","category-integration-fr","category-exposition","category-nouvelles","category-nouvelles-fr-2","category-fr-e-diaspora","category-culture","content_country-austria-fr","content_country-germany-fr","content_country-zvicer-fr"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/posts\/948790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/comments?post=948790"}],"version-history":[{"count":2,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/posts\/948790\/revisions"}],"predecessor-version":[{"id":948792,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/posts\/948790\/revisions\/948792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/media\/948594"}],"wp:attachment":[{"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/media?parent=948790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/categories?post=948790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/tags?post=948790"},{"taxonomy":"vendi","embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/vendi?post=948790"},{"taxonomy":"content_country","embeddable":true,"href":"https:\/\/www.albinfo.de\/fr\/wp-json\/wp\/v2\/content_country?post=948790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}